22 May 2012 at 7:36 pm #1310
“With his thumb he had been routing out life from the folds of his hairless skin…” (BM 93)
The connection McCarthy makes here between the hairless Holden picking bugs or whatnot from his skin ties in with one theory of why man became over time a relatively hairless animal.
“Humans lost their body hair…to free themselves of external parasites that infest fur — blood-sucking lice, fleas and ticks and the diseases they spread.” (NY Times article that I will link to below)
Natural selection for hairlessness and then sexual selection for less fur as bare skin was a signal of fitness, this theory maintains.
I’d read about this recently so I perked up when an interviewer asked Harvard biologist EO Wilson on Book TV why he thought man became a (relatively) hairless animal and he gave an entirely different answer, saying he believed man’s hairlessness was selected for so the hunter could track game over many miles of terrain for days at a time and stay cool and in the hunt. A heat-exchange theory.
Wilson said the antelope obviously could outrun a man over the short distance, but the hairless hunter’s endurance would allow him to take down the wounded animal in the end. Wilson’s comments on the hairless and the endurance of the hunter put me in mind of No Country for Old Men.
Some of these ideas tie in more broadly with a paper I hope to write on Disgust in McCarthy. Lots to work with there.
Here’s the article from the Times that reviews some theories on human hairlessness.
05 Aug 2012 at 10:50 am #1766
From On the Nature of Things by Lucretius:
And now, if store of seeds there
So great that not whole life-times of the
Can count the tale…
And if their force and nature abide the
Able to throw the seeds of things together
In their places, even as here are thrown
The seeds together in this world of ours,
‘Tmust be confessed in other realms there
Still other worlds, still other breeds of
And other generations of the wild.
“I wonder if there’s other worlds, he said. Or if this is the only one.” (Buffalo hunter, 317)
05 Aug 2012 at 11:10 am #1767
The passage from BM quoted above has another Lucretian resonance, that being his idea of the http://en.wikipedia.org/wiki/Clinamen, which has been called “as much a creative spark as atom of death,” according to Hugh Roberts (Shelley and the Chaos of History).
This Lucretian swerve was used by Harold Bloom to help illustrate an author’s break with his past, a theoretical framework with which one could view McCarthy as author as well as many of his characters, Suttree perhaps most notably.
The Lucretian Clinamen, I believe, is an intriguing portal through which to enter the “unbottomed deep” of McCarthy’s career and works.
Lucretius’ meditations on the Void in On the Nature of Things reminded me so much of the multiple mentions of it in BM, even the archaic verbiage McCarthy uses has a definite Lucretian ring to it.
13 Aug 2012 at 7:21 pm #1790
On satchels and suzerainity…
“He’d an old canvas kitbag…” (125)
“The judge carried in one hand a small canvas satchel…” (282)
The judge and his satchel seem to be never far apart, much like the U.S. president and what has been called the Nuclear Football, which reportedly contains the codes needed to launch a nuclear attack. The military person entrusted with carrying this satchel is a suzerain once removed or “a special kind of keeper,” to use Judge Holden’s definition of suzerain.
Judge Holden’s mysterious satchel might be looked at as a precursor to the modern satchel which holds the power to do the type of erasing and destruction on a massive scale that the judge engages in on a smaller scale between the pages of Blood Meridian.
<b<Carrier of the Fire
Ron Rosenbaum, in his 1978 Esquire article The Subterranean World of the Bomb, describes the person entrusted with carrying the Nuclear Football as “the man with the black briefcase” and the satchel as “that artifact of instant apocalyptic death.” Makes me wonder if a similar case were opened to unleash the onslaught that set the world afire in The Road. Bad things happen when briefcases are opened in McCarthy as Moss found out the hard way.
14 Aug 2012 at 1:34 pm #1792
Whenever I open a briefcase full of money anymore I always look for the tracking device right away instead of…
leedriverQuote20 Aug 2012 at 11:53 pm #1808
“Where’s your ape at?” (BM 238)
From Fear and Loathing in Las Vegas, called an American classic by McCarthy:
I found Bruce at the bar, but there was no sign of the ape.
“Where is it”? I demanded. “I’m ready to write a check. I want to take the bastard home on the plane with me. I’ve already reserved two first-class seats — R. Duke and Son.”
“Take him on the plane?
“Hell yes,” I said. “You think they’d say anything? Call attention to my son’s infirmities?”
He shrugged. “Forget it,” he said. “They just took him away. He attacked an old man right here at the bar. The creep started hassling the bartender about ‘allowing barefoot rabble in the place’ and just then the ape let out a shriek — so the old guy threw a beer at him, and the ape went crazy, came out of his seat like a jack-in-the-box and took a big bite out of the old man’s head. . . the bartender had to call an ambulance, then the cops came and took the ape away.”
“Goddamnit,” I said. “What’s the bail? I want that ape.”
21 Aug 2012 at 12:12 am #1809
I wonder which is filthier, the fool’s cage in BM or Hunter’s Las Vegas hotel room in Fear and Loathing:
“The floor of the cage was littered with filth and trodden food and flies clambered everywhere.” (BM 233)
“The room was full of used towels; they were hanging everywhere. The bathroom floor was about six inches deep with soap bars, vomit, and grapefruit rinds, mixed with broken glass. I had to put my boots on every time I went in there to piss. The nap of the mottled grey rug was so thick with marijuana seeds that it appeared to be turning green. (F/L 187)
29 Aug 2012 at 8:23 pm #1834
The Anthropocene seems like an interesting concept with which to think about McCarthy. Has anyone done anything extensive with it? Human footprints on the landscape. A layer of carbon, or ash. I’ve not done a lot of reading on this idea yet, though I might check it out a little bit more soon. Thoughts?
01 Sep 2012 at 7:09 pm #1838
“A picture held us captive. And we could not get outside it, for it lay in our language and language seemed to repeat it to us inexorably.” (Philosophical Investigations 115, Wittgenstein)
“…he’d once drawn an old Hueco’s portrait and un WITTingly chained the man to his own likeness.” (BM 141, Webster/portrait passage)
01 Sep 2012 at 7:25 pm #1839
Webster fears that a portrait of him by Judge Holden would exert a hold over him, which resonates with the famous Wittgenstein aphorism about the picture holding us captive. Earlier in PI, Wittgenstein writes: “A simile that has been absorbed into our language produces a false appearance that disquiets us.” This brings to mind the business of “false books,” but also perhaps connects to being held captive by pictures and words, a feeling that can be evoked while reading Blood Meridian with the seemingly endless repetition of words and images being repeated back to us. Stuck in the uncanny valley with a hailstorm of likenesses raining down on us like arrows. One last Wittgenstein quote that I think helps clarify this feeling of captivity:
“This is the kind of proposition that one repeats to oneself countless times. One thinks that one is tracing the outline of the thing’s nature over and over again, and one is merely tracing around the frame through which we look at it.” (PI 114)
14 Sep 2012 at 1:23 pm #1891
“He is the Napolean of crime, Watson. He is the organizer of half that is evil and nearly all that is undetected in this great city. He is a genius, a philosopher, an abstract thinker. He has a brain of the first order. He sits motionless like a spider in the centre of its web, but that web has a thousand radiations, and he knows well every quiver of each of them.” (Description of Moriarty given by Sherlock Holmes in the 1893 story The Final Problem.
Came across that great quote so reminscent of Holden while checking out an amazing illustration for that Sherlock Holmes story (see link for the art and a fuller quote on Moriarty) which made me think of the Blood & Mercury scene in BM when the mules go off the side of the cliff. Moriarty as the motionless spider resonates with the judge and it definitely took me to that scene where the judge sits silently at the fire with his palms up.
28 Nov 2012 at 6:38 pm #2578
“Superman, Superman, I want to be like Superman.” (The Kinks)
There has been discussion here and there about McCarthy’s fondness as a youth for comic books. An image that bears a striking similarity to a famous scene in BM comes in the form of the cover of Action Comics No. 1, which introduced Superman and is the most valuable comic ever. On the cover, Superman is lifting a car and appears to be on the verge of giving it a heave, much like the judge with the gigantic meteorite when he “on a wager lifted the thing and on a further wager lifted it over his head.” (240)
Here’s the cover of that first Superman comic: http://en.wikipedia.org/wiki/File:Action_Comics_1.jpg
29 Nov 2012 at 8:40 am #2579
“It made me feel like Superman.”
- Bedouin camel herder on hearing the Grateful Dead playing at the Great Pyramid in 1978.
Rick WallachQuote29 Nov 2012 at 3:39 pm #2580
Love that. Given your history of far-flung adventures, it almost wouldn’t surprise me if that camel herder told you that in person, Rick.
18 Oct 2013 at 12:01 pm #4164
Fichte’s conception/theory of the “Not I” or “Anstoss” has some nice resonances with Judge Holden and his relationship to the kid who, in this context, I see as a physical manifestation of the judge’s Not-I. Fichte thought that in pressing against something that resists us, we gain a sense of our own boundaries as a subject. The thought of the judge possessing any boundaries or limitiations might be anathema, though his killing of the kid or anything that seems to threaten his boundlessness might suggest otherwise. Zizek explains the Fichtean Anstoss in terms that evoke Holden, at least it seems so to me:
“It is important to bear in mind the two primary meanings of Anstoss in German: check, obstacle, hindrance, something that resists the boundless expansion of our striving; and an impetus, a stimulus, something that incites activity. Anstoss is not simply the obstacle the absolute I posits to itself in order to stimulate its activity — so that, by overcoming the self-posited obstacle, it asserts its creative power, like the games the proverbial perverted ascetic saint plays with himself by inventing ever new temptations and then, in successfully resisting them, confirming his strength.” (The Ticklish Subject: The Absent Center of Political Ontology)
So the judge, in the Fichtean sense of the Not-I, has successfully resisted killing a check or obstacle to him (the kid as Not-I) for 28 years but is also incted to activity by him for one reason or another, presses up against this obstacle or check on his freedom and eliminates that boundary to his limitlessness.
18 Oct 2013 at 12:07 pm #4165
“The limits of my language are the limits of my mind. All I know is what I have words for.” (Wittgenstein)
“A man’s at odds to know his mind cause his mind is aught he has to know it with.” (Hermit, Blood Meridian 19)
I’ve seen where this memorable line from the hermit has been compared to Cartesian dualism, and while I can certainly see that this is likely true, I wonder whether McCarthy in this case reworked the famous quote by Wittgenstein and put it in the mouth of the hermit, throwing in an “aught” in place of “all” just to obfuscate it a little bit.
18 Oct 2013 at 12:26 pm #4168
Reading The Sleepwalkers by Arthur Koestler recalls the Epilogue to BM. Koestler’s book on the history of astronomy called to mind a possible parallel with the advancement of science delineated by Koestler and the BM wanderers advancing on the plain at dawn (interesting the first words in Koestler’s book are DAWN/Awakening as the chapter head and subhed of Ch. 1, while McCarthy opens the Epilogue “In the dawn there is a man progressing…”). I thought for a moment that this might be a new interpretation but then sort of vaguely remembered I’d read this interpretation before and, as it turns out, Shane Schimpf offered just such an interpretation of the Epilogue in his book A Reader’s Guide to Blood Meridian. So I won’t try to reinvent the wheel here and will close this post with a nice quote from a 1959 NY Times review of The Sleepwalkers:
“Sleepwalkers somehow skirt disaster; they have an inner certainty that propels them although they cannot state what they seek or why they seek it. They move toward their goal by the most extraordinary and the most logically questionable methods; and when they have arrived where they always wished to go, they frequently do not realize that they are there.”
21 Oct 2013 at 10:17 am #4198
Good one. And Robert Penn Warren, in ALL THE KING’S MEN, had his protagonist, Jack, go through an unevolved period which he called THE GREAT SLEEP in which he recognized others who were also in THE GREAT SLEEP, the robotic stage when a man gives in to his animalistic impulses–the cycles of violence and revenge–and to what some philosophers have called the WILL FORCE. Death-in-life.
Some years back, I read an article by a Raymond Chandler scholar who said that Chandler got his style using humorous metaphors and frequent hyperbole from ALL THE KINGS MEN, as well as the concept for THE BIG SLEEP, which Chandler later used as a title.
Richard L.Quote13 Nov 2013 at 7:43 pm #4585
Is “the eldress in the rocks” (BM 315) the Mexican Catholic folk saint Santa Muerte (Saint Death)? There are some interesting physical similarities between them. Additional textual evidence from that scene and from other episodes in the book could plausibly support such an interpretation.
Excellent article/book review on the Bony Lady: http://www.insidehighered.com/views/2012/03/14/review-r-andrew-chesnut-devoted-death-santa-muerte-skeleton-saint
17 Nov 2013 at 12:22 pm #462202 Dec 2013 at 9:34 pm #4802
“He uses an implement with two handles and he chucks it into the hole and he enkindles the stone in the hole with his steel hole by hole striking the fire out of the rock which God has put there.” (BM 337)
“Cordevero understood full well that the salient point of the whole theory of emanation was the transition from Ein-Sof to the Sefirah Keter and he devoted great effort to its solution. The Sefirot, he argues, owe the source of their existence to Ein-Sof, but this existence is “hidden” in the same sense that the spark of fire is hidden in the rock until it is struck with metal.” (Kabbalah by Gershom Scholem p. 149 Keter Publishing House paperback edition Jerusalem, Israel 1977)
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